clusters of chronotopic sound and ephemeral memoria, a real cinema in which there are always perpetual productions of polysemic impressions #PremiereElements
提爾在初段的故事最貼近實際也最能打動人:No one of you has the right to condemn Bess to the hell! 艾米麗所演出的形象在神經(jīng)質(zhì)中脫俗于世她對愛情的信仰更顯得世俗宗教權(quán)力的虛偽與冷漠很難相信這竟是艾米麗的處女演出——笑的時候她像純潔的天使哭的時候她像無助的惡魔